
Seriously, they'd never heard of "The Alps."
Also, very few kids had ever seen "The Sound of Music." 
Seriously, they'd never heard of "The Alps."
Also, very few kids had ever seen "The Sound of Music." 


The immensity of the Eiger-Mönch-Jungfrau massif is impossible to convey in a photograph. The verticality is overwhelming. Coming into the Lauterbrunnen valley from Interlaken (1864 ft. above sea level), you round a bend, and then immediately, you have to crane your neck to look to the top of the 13,025 ft-high peak of the Eiger; over eleven-thousand feet almost directly skyward, in your face. The setting is, forgive the unimaginative travel-writer-ese, seriously, one of the most beautiful spots on Earth:

--the southern Swiss town of Sion, the medieval bastion garding the Rhône-valley. Two outcroppings topped with the two powers of the Middle Ages--temporal, a castle on the left; ecclesiastical, a church on the right. Climbing to the top of the rocky hill on the left,
I got this view of the fields to the east, where the language changes to German a few miles upriver:


Tunnels, bridges...the metaphor of 'swiss cheese' is inevitable. And yes, you can set your watch by the train.
Note carefully his head. It's one of many depictions of Moses in European art based on a mistranslation of the Bible. When Moses came down from Sinai, it is said that 'face emitted rays' from having been in the divine presence. Up until the Renaissance, that passage was translated more or less as 'his head sprouted horns.' Oops. Several centuries older is the Église Collégiale in Neuchâtel, with this Romanesque portal:
That's Paul the Apostle, being poked in his side by a demon-like figure. Recall how Paul writes of being tormented by a 'thorn in flesh'. Here's an ancient 3-D comic-book-representation of it. Many church façades in the Medieval period would have been painted in bright colors--truly comic-book-esque...
It's hard to top that, for a Sunday morning...I've tried, since...
Not far from Neuchâtel is Gruyère. Yes, as in the cheese. Gruyère is a village and a region, and all the Gruyère cheese in the world (if it's authentic) comes from these slopes and fields just beyond this castle garden:

...and finally, tonight: you can't look at images of Switzerland without thinking of cows. They are ever present in this mountain-bastion of dairy production. Hiking on trails above treeline, you'll hear their bells tinkling below you...and every morning with your black black black coffee there'll be freshly heated vollmilch to make your café au lait.
In the spring of the year I lived in Paris, my mother came to visit, and I was able to take her to Switzerland--one of her lifelong dreams. We paid the requisite visit to Heidiland, the region near the Austrian border where the famous stories are set. And here, on newly green pasture, were two happy cows.

Happy cows. Happy meadow. Alles gute...
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Some local minutiae, now. The weather's cooled down enough to plant cilantro again. It actually got below 40 degrees the other morning. But warm afternoons...Sunrise is too late now for me to go on my morning jog--too dark. Hello gym. And my Saturday-morning bike rides will have to wait until next spring, when it's light at 5:30 again...This weekend a couple of childhood friends--who've been married to each other for ten years now--are coming for a visit, their first time to AZ...Looking forward to introducing them to the local joys of 'cheese crisp' and the Arizona-Sonora-Desert Museum, which was recently designated one of the best zoos/botanical gardens in the country...
It's strange, as a young boy, to first learn of your father's phobias. Heights and enclosed-spaces--evidently, not my father's favorite combination. And so up the Eiffel Tower he never went!
Before he became ill and died, my father and I had begun having those conversations-over-coffee that make one finally realize, oh, here we are, face to face, adult to adult--still father and son, but no longer father and child...and as I would stop for a café-crème in one of Paris' innumerable cafés, I couldn't help but engage in internal soliloquies: what would I be saying to Dad right now, if he were here.. All this remembering of the past...
It reminds me of a passage from some of the writings of Rilke, the great German poet (1875-1926) and some of his musings on what it means to think and write--anything, not just poetry--about the past:
...Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a long one if possible, and then, at the very end, you might perhaps be able to write ten good lines.
For poems are not, as people think, simply emotions (one has emotions early enough)--they are experiences.
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning.
You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn't pick it up (it was a joy meant for somebody else--); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars,--and it is still not enough to be able to think of all that.
You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again.
But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises.
And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return.
For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves--only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
(click here for the website where you can get this sort of nerdy diagram for almost anywhere in the world.)
--lake Dewey, east of Mt. Rainier: 



Finally. The glass of milk and photo-sorting have had their effect: to bed.
Bonne nuit, buenas noches, gute nacht.
And then, the moon caught my eye--about 3/4 full...I don't have any special lenses, or even a tripod, but I was able to use my elbows, leaning on the little wall in front of our yard, to stabilize the camera enough to get this:
(Excitement on this schoolnight: I've never been able to make out the lunar craters so clearly in a photo I've taken!)
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Two more weeks in the school-year have gone by. My efforts to develop a new habit have succeeded; I'm now a pre-sunrise, Mon-Wed-Fri jogger, as weird as that still seems to me...I've seen a couple of hawks on recent mornings, dozens and dozens of cottontail rabbits, and even a coyote...A nice way to clear the mind before dealing with the apparently natural propensity of teenage minds towards not learning verb conjugations.
I remind myself that the larger goal is to help students to become aware of and appreciate the wider world, among other things, to become more observant and detail-oriented as a consequence of having to deal with non-phonetic spelling and new grammatical patterns...and then the melody of Offenbach's cancan comes to mind, as my sneakers hit the asphalt--a 'cheap tool' to try and drill AVOIR ("to have" in French, an irregular conjugation: j'ai, tu as, il a, nous avons, vous avez, et ils ont) into pubescent skulls in a rythmical fashion.
It kind of works.
And then, right as I cool off, walking home, the sky begins to sprinkle on me. (The monsoon's not quite dead yet.) I look up--no clouds overhead! So weird...but off to the east, I see wispy moisture coming down...and borne on morning breezes, it ends up raining a mile or two away, diagonally:
September in Tucson, so far...